What Kind of Job I Want After I Graduate From University

Before i come in campus, I have ambition,  become  a man that helpful,  and make happy family because my family hopeful a children get studied until fresh graduated from college, and also my high school about network technology and then i'm begin liked this study.

IT professional is my favourit jobs, because IT is jobs challenge and need high skill, but to getting this job not easy. need spesial skill  to work in here. in the world IT must have focus and priority, consisten, motivated, understand prosedure and want grow. become profesional must balance with his knowledge.

Because i am fresh graduated from faculty computer science and technology information making it suitable for jobs IT. I want the work in the technology company and developing company,  type of work i like is tecnhnical engineer and networking engineer or all a job of field technology

Technical engineer  that is, those who are involved in the fields of engineering,  regarding maintenance and repair of computer system devices. while networking engineer is the people who work in technical fields of computer network maintenance until his troubleshooting or be the one describing the problem to the user as a helpdesk to be able to portray roughly what errors or problems being faced by the user so as to accelerate the process of completion problems or issues.

The technology IT grow fast that's makes me spirit could work after graduate later.
But not every jobs as above that i ambition, only god that determine our life.


I hope my dream can come true, because success begins from a dream, and i hope can happy my family , I believe it. lets pray that to achieve our dream .

thanks for your attention

How Technology and Education Can Save the World

There is no denying about technology empowering the world in every way possible. Ranging from a little child to a grown up adult, everybody is dependent on science and technology one way or another. According to some people, it’s a bad thing to depend too much on gadgets and computers but in spite of that, we choose to rely on the conveniences of science on a daily basis. On the whole, all minor and major technological up-gradations have helped individuals and offices do multi-tasking with ease. When it comes to the education sector, something of the smilar nature can be seen happening.

Schools and colleges across the world have embraced technology by bringing onlineschool software into the system. Today, technology and education are going hand in hand by providing academic institutes with an easy way to manage and control the system. The traditional methods have started to vanish from the face of earth providing academic institutes with an easy way to not just manage and control schools, but also provide students

with interactive technological amenities.

How Have The Methods Of Administration Transformed?

There was a time when principals used to maintain manual book keeping for all kinds of financial transactions and academic records. Admins and teachers had to prepare all important information via the pen and paper approach. School staff had to go through every little detail in order to locate important information on a daily basis. That is not the case anymore because school admins have shifted all important information on the cloud.

Teachers that used to mark attendance through registers are now seen using smartphones for that purpose. Principals who used to print hundreds of handouts and brochures on a daily or weekly basis, can easily circulate important information via the internet portal or the SMS communicator service. Most of the financial records have been automated providing academic institutes with a safe and secure accounts management system.

The digital student archiving system has also made it much easier for admins to locate students in groups or individually via the student ID system. They don’t have to go through stacks of papers or hundreds of excel sheets in order to keep track of a few pupils. Finance department, education department and student enrolment and attendance can all be managed and maintained via cloud-based technology.    

How Have The Methods Of Education Changed?

Students of today want easy access to knowledge and for that, schools and colleges have started to use internet, ebooks, tablet computers, projector screens and so on. Teachers that used to give lectures in class are showing children interactive presentations on projector screens. Children that used to carry heavy textbooks have started to read from tablet computers.

Instead of distributing schedule handouts, teachers are posting timetables and date sheets on the internet portal. Students on the other hand, also find it easy to view appraisal reports; result cards and all sorts of information via the internet portal improving the overall methods of education. Students that used to visit shops to buy books have started to download ebooks from the internet.

Because of technology, students have become more productive providing schools and college with greater margin to flourish in the education industry. There is absolutely no problem in admitting that technology and education go hand in hand providing the world of education a chance to be more creative and innovative.  

Sumber : http://www.edarticle.com/article/1978/how-technology-and-education-can-save-world.php

All About Danau Toba

Danau Toba has been part of traveller folklore for decades. This grand ocean-blue lake, found high up among Sumatra's volcanic peaks, is where the amiable Christian Batak people reside. The secret of this almost-mythical place was opened up to travellers by the intrepid, and Tuk Tuk – the village on the lake's inner island – became as much a highlight for Southeast Asian shoestringers as Haad Rin and Kuta. It was almost overrun with tourism: wild full-moon parties would kick off, and travellers in beach-bum mode would get 'stuck' on the island for months on end. Whilst the travelling world has hardly forgotten about Toba, those heady party days are certainly a thing of the past. Nowadays the Batak people continue to warmly open their arms to travellers after a lazy, low-key lakeside sojourn.

          Expect a chorus of 'horas' ('welcome') to greet you at every turn, as the locals quietly strum away the afternoon on their guitars while passing around a flagon of jungle juice.

Danau Toba is the largest lake in Southeast Asia , covering a massive 1707 sq km. In the middle of this huge expanse is Pulau Samosir, a wedge-shaped island almost as big as Singapore that was created by an eruption between 30,000 and 75,000 years ago. Well, Bahasa Indonesia calls it an island, but those visiting the west of Toba will discover that Samosir isn't actually an island at all. It's linked to the mainland by a narrow isthmus at the town of Pangururan – and then cut again by a canal.

Directly facing Parapat is another peninsula occupied by the village of Tuk Tuk, which has Samosir's greatest concentration of tourist facilities. Tomok, a few kilometres south of Tuk Tuk, is the main village on the east coast of the island. Pangururan is the largest town on the west coast.

sumber : http://www.lonelyplanet.com/indonesia/sumatra/danau-toba

Introducing Danau Maninjau

The first glimpse of this perfectly formed volcanic lake sucks your breath away as your dilapidated bus lurches over the caldera lip and hurtles towards the first of the 44 (yep, they’re numbered) hairpin bends down to the lakeshore. Monkeys watch your progress from the crash barriers as the lush rainforest of the heights retreats from the ever-expanding farms and paddies of the lowlands.

When the traveller tide receded from Bukit Tinggi, Danau Maninjau was left high and dry. The locals looked to more sustainable sources of income and aquaculture to fill the void. Fish farms now dot the lake foreshore.

Ground zero is the intersection where the Bukit Tinggi highway meets the lake road in the middle of Maninjau village. Turn left or right and drive 60km and you’ll end up back here. The lake is 17km long, 8km wide and 460m above sea level. Most places of interest spread out north along the road to Bayur (3.5km) and beyond. Tell the conductor where you’re staying and you’ll be dropped off at the right spot.

Sumber : http://www.lonelyplanet.com/indonesia/sumatra/danau-maninjau

Indonesia Beyond Bali: Yogyakarta and Lombok Island

Though the island of Bali ranks unquestionably as the first place of interest to a traveler considering Indonesia, there are many appealing additional areas to explore, starting with the great central-Java culture around Yogyakarta and the Muslim island of Lombok, adjacent to Bali.

Both destinations are easily accessible by air from Bali. It is advisable to allow for two overnights at each location to plan sufficient time to explore.

Yogyakarta

The largest Buddhist shrine in the world, Borobudur, and the Palace of the Sultan of Yogya are the cultural highpoints of central Java, an area that has nourished major cultures and seen them extinguished by volcanic upheaval.

Borobudur was literally dug out from under volcanic ash by the English adventurer, Raffles, in 1814. An eruption in 1006 A.D. and later pyrotechnic displays wiped out the cultural life of the area and caused the monument to be buried under three meters of ash. The mammoth size of the monument, complete with a large frieze describing the life of Buddha, can occupy hours of traveler time. The monument dates from the ninth century and consists of 10 terraces with a total of 504 buddhas, 461 of which are still intact. Borobudur is a symmetrical mantle around a hilltop dome. The ten levels of the structure suggest the ten stages of the Buddhist cosmic system, emphasizing the Buddhist tenets that life is suffering, suffering stems from desire, desire can be controlled by meditation, and life can be made bearable by good deeds. Near the main monument is an enclosed temple with a 12-foot-high statue of Buddha. Borobudur is an hour’s drive from Yogyakarta.

Within the city the Palace (called the Kraton) of the Sultan is a compelling cultural attraction to see. The Sultan still flourishes, though now with a ceremonial rather than political role. At the palace, built in 1755, you can see the red and gold pavilion, where the Sultan met his visitors, and the opulent carriage in which he was transported by 40 bearers. The treasure room in the Sultan’s palace displays many gold artifacts and a gallery of paintings and photographs depicting the many Sultans in recent centuries. An elaborate family tree indicates the lineage going back to the time when the palace was built.

Yogya, as the city is affectionately called, retains its leadership role today as the cultural capital of Java, the main island of Indonesia. Almost a third of the residents of Yogya are university students. Artistic and craft life gets major attention here.

Among artistic events, be sure to see Javanese dancers and singers as well as the puppet performances, known as wayang puppets. You will find that the music, dance, and song of Java exhibit a hypnotic slowness of movement that contrasts sharply with the spirited and athletic emphasis of similar dances in Bali. The typical Indonesian orchestra, the gamelan, consisting of percussion instruments, plays a soft, sensuous rhythm in Java, unlike the more vigorous melodic lines of Bali. Connoisseurs of Indonesian dance and music take positions on the merits of both approaches. Segments of Hindu epics are portrayed with shadow puppets, called wayang puppets, nightly in Yogya. The puppet stories are tales of virtue and strife, guiding lessons in life, accompanied by the hallucinogenic music of the gamelan orchestra.

Modern crafts receive ample attention in Yogya, especially batik fabric design and silver working.

Batik fabric craft can be observed at the batik factories, where the material can also be purchased as clothing or art hangings. At the factory you can observe all phases of the complicated batik process, starting with designing the wood blocks, then wax blocking of the fabric, followed by hand dyeing of the fabric, and finally a boiling water bath to remove the wax.

Silver production shops show many artisans working in the typical Javanese style, which amounts to pounding rather than casting the metal. Even silver wire is pounded to the desired thickness.

That Yogya is the spiritual and cultural heart of Java is no small claim. Java is the size of New York state, but supports a population of 136 million, a sizable portion of the total 237 million people of Indonesia.

A visitor to Yogya finds oneself  immersed in the hustle and bustle of a developing city, a good illustration of the growth in productivity that the country of Indonesia enjoys. The main street, Malioboro, is alive with bicycle taxis and cars. Markets are full of produce and the shops bulge with merchandise. Children in their school uniforms play soccer on the fields in front of the Sultan’s Palace. Always, in the background, hovers the volcano, Merapi, hiccuping a soft plume of volcanic ash, capable of eruption at any time. There are about 16 active volcanoes in Java in any given year.

Lombok

The Muslim island of Lombok lies immediately east of Bali and is sometimes portrayed as the Bali of a generation ago, but Lombok actually possesses a very different character.

The best way to explore Lombok is to take a tour organized by one of the main tour companies, such as Satriavi. In one day, many high points of the island can be explored.

The gardens of Narmada are one of the major legacies from the past. Balinese princes who established control over west Lombok built the gardens in 1727 as a summer palace.

Balinese dominance in western Lombok left another legacy, Lingsar Temple, dating from 1710. At Lingsar both Hindu and Muslim services are held.

The native people of Lombok, called the Sasaks, can be seen in typical villages, where the subsistence crop is rice and the leisure industry may be weaving. Some village compounds can be visited. Here you witness the native Sasak architecture, which consists of a rice storage area on stilts, off the ground, with the family’s living quarters underneath.

Lombok is famous for its weaving, especially from the village at Sukarara. Women of the village may toil for a month to produce a single colorful sarong. A nearby village, Penujak, is noted for mammoth ceramic jars. The island also boasts some lovely beaches, especially at the southern tip.

Along the way, while taking a day tour, you experience memorable moments and absorb pleasing views. The luminescent green rice terraces, the Muslim school girls in their uniforms, the horse-drawn taxis (called cidomos) that are still an island transport, and the ominous presence of volcanic mountains linger in memory.

The island also shows a marked Chinese influence, with Chinese graveyards and Chinese ownership of many of the shops.

Like Bali, Lombok consists of volcanic mountains that have created a rich alluvial fan at their base. However, unlike Bali, Lombok has less water and can generate only one rice planting a year, which explains partly why the island people are somewhat poorer than those on Bali.

For many visitors the comparisons between the two adjacent islands, Bali and Lombok, prove fascinating. For example, the houses on Bali resemble small temples, while the houses on Lombok are more traditional units. The racial stock of Lombok, the Sasaks, is darker than that on Bali and includes lovely eccentricities, such as long, curly eyelashes. While the Balinese have been oriented to the mountains and the land, the Sasaks have been fishermen and traders, sailing their small triangular-sailed boats, prahus, with their colorful crazy-quilt sails and fish-mouth bows, out to the straits between the two islands. The daily pageant of these fishing boats going out and returning is one of the diverting experiences along the west Lombok coast.

Although Bali should be your first destination of choice in Indonesia, this vast archipelago of 17,000 islands offers many other attractions. Explore Yogya and Lombok on an extended first visit or during a repeat trip to the country.

Sumber : http://www.fostertravel.com/indonesia-beyond-bali-yogyakarta-and-lombok-island/

INDONESIAN CULTURE; ARTS AND TRADITIONS

Indonesia is culturally rich. Indonesian art and culture are intertwined with religion and age-old traditions from the time of early migrants with Western thoughts brought by Portuguese traders and Dutch colonists. The basic principles which guide life include the concepts of mutual assistance or “gotong royong” and consultations or “musyawarah” to arrive at a consensus or “mufakat” Derived from rural life, this system is still very much in use in community life throughout the country.

Though the legal system is based on the old Dutch penal code, social life as well as the rites of passage are founded on customary or “adat” law which differs from area to area. “Adat” law has a binding impact on Indonesian life and it may be concluded that this law has been instrumental in maintaining equal rights for women in the community. Religious influences on the community are variously evident from island to island.

Intertwined with religion and age-old traditions from the time of early migrants the art and culture of Indonesia is rich in itself with Western thoughts brought by Portuguese traders and Dutch colonists. The art and culture of Indonesia has been shaped around its hundreds of ethnic groups, each with cultural differences that have shifted over the centuries. Modern-day Indonesian culture is a fusion of cultural aspects from Arabic, Chinese, Malay and European sources. Indonesian art and culture has also been influenced from the ancient trading routes between the Far East and the Middle East leading to many cultural practices being strongly influenced by a multitude of religions, including Hinduism, Buddhism, Confucianism and Islam.

Language

The official language of Indonesia is ‘Indonesian’ or ‘Bahasa Indonesia’. It’s universally taught in schools and is spoken by nearly every Indonesian in business, politics, national media, education and academia. The Indonesians also speak several hundreds of local languages like ‘bahasa daerah’ as their first language. Javanese is also widely used besides other Papuan or Austronesian languages in a region of just 2.7 million people.

Religion

The government of Indonesia officially recognizes only six religions, viz Islam, Hinduism, Buddhism, Protestantism, Catholicism, and Confucianism. The largest religious group in Indonesia is Islam with almost 86% of Indonesians being Muslims. Indonesia is also the most populous Muslim-majority nation in the world.


Literature

Indonesia has created many internationally famous celebrated authors. There has also been a long tradition, particularly among ethnically Malay populations, of impromptu, interactive, verbal composition of poetry referred to as the ‘pantun’. Pramoedya Ananta Toer, a well-known author won the Magsaysay Award and was considered for the Nobel Prize in Literature. Chairil Anwar was also an important figure in the literature world and a member of the Generation 45 group of authors who were active in the Indonesian independence movement.


Music

Home to hundreds of forms of music, it plays an important role in Indonesia’s art and culture. Traces of its origin can be made to the islands of Java, Sumatra and Bali. ‘Gamelan’ is the traditional music from Central- and East Java and Bali. Another very popular style of music is ‘Dangdut’ which is accompanied with free dance style. This style first came up in the 1970s and is quite useful in political campaigns. Other forms of music include the Keroncong with its roots in Portugal, the soft Sasando music from West Timor and Degung and Angklung from West Java, which is played with bamboo instruments.


Dance
The traditional dances depict episodes from the Ramayana and Mahabharata from India. Traditional Javanese and Balinese tinge is also seen in the dance forms of Indonesian art and culture. The highly stylized dances of the courts of Yogyakarta and Surakarta are some of the popular variations. Mythological events of Indonesia are also depicted.


Drama and Theatre

The Javanese and Balinese shadow puppet theatre shows ‘wayang kulit’ displaying several mythological events. A traditional folk theatre, Randai of the Minangkabau people of West Sumatra, is performed during ceremonies and festivals. Music, singing, dance, drama and the silat martial art are all incorporated together and are based on the stories of the legend.


Architecture
Indonesian culture, especially its architecture has been to a great extent dominated and influenced by the Indian, although European influences have also been particularly strong since the nineteenth century. Traditional buildings in Indonesia are built on stilts with oversized saddle roofs which have been the home of the Batak and the Toraja. The Torajan use the buffalo horns, stacked one above another in front of the house as an indication of status. Scenes from the Ramayana adorn the outer walls in different colors. However, Chinese, Arab, and European architectural influences have also been quite significant in Indonesian architecture.


Cuisine
Indonesians distinctive cuisine has been derived from centuries with the influence of the Chinese, European, Middle Eastern and the Indians. The staple food of most Indonesian dishes is rice served with meat and vegetables. Flavors of Vietnamese and Thai food can also be got from the cuisine of Indonesia. Spices, notably chili, and coconut milk are fundamental ingredients in most of the dishes, especially fish and chicken.


Material Art
The arts of Indonesia are many, especially Indonesian paintings which are unique works of art. The intricate and expressive Balinese paintings are quite famous and often express natural scenes and themes from the traditional dances. A long-standing tradition of sculpture can also be seen in the art and culture of Indonesia, some dating back to the Bronze and Iron Ages. Examples of sculpture illustrating the story of the life of Buddha can be seen in the temples of the 8th and the 10th century. Indonesia’s art and culture is also famous for their unique batik, ikat and songket cloth which is even popular today.

Unlike some countries art forms in Indonesia are not only based on folklore, as many were developed in the courts of former kingdoms such as in Bali, where they are part of religious ceremonies. The famous dance dramas of Java and Bali are derived from Hindu mythology and often feature fragments from the Ramayana and Mahabharata Hindu epics.

Highly stylized in movement and costume, dances and the “wayang” drama are accompanied by a full “gamelan” orchestra comprising xylophones, drums, gongs, and in some cases string instruments and flutes. Bamboo xylophones are used in North Sulawesi and the bamboo “angklung” instruments of West Java are well- known for their unique tinkling notes which can be adapted to any melody.

The “Wayang kulit” (leather puppets) of Java is performed with leather puppets held by the puppeteer, who narates the story of one of the famous episodes of the Hindu epics, the Mahabharata or the Ramayana. It is performed against a white screen while a lantern in the background casts the shadows of the characters on the screen, visible from the other side where the spectators are seated.

The “Wayang Golek” (wooden puppets) of West Java is based on the same concept. The crafts of Indonesia vary in both medium and art form. As a whole the people are artistic by nature and express themselves on canvas, wood, metals, clay and stone. The batik process of waxing and dyeing originated in Java centuries ago and classic designs have been modified with modern trends in both pattern and technology. There are several centres of Batik in Java, the major ones being Yogyakarta, Surakarta, Pekalongan and Cirebon.

Batik is also being produced in some other areas as in Bali where local designs are incorporated. Other provinces produce hand-woven cloths of gold and silver threads, silks or cottons with intricate designs. Painting are numerous all over the country, both traditional and contemporary, woodcarvings for ornamentation and furniture, silverwork and engraving form Yogyakarta and Sumatra, filgree from South Sulawesi and Bali with different styles of clay, sandstone and wood sculptures. These are but a few of the handicrafts found in Indonesia.

Sumber :  http://indonesia.gr/indonesian-culture-arts-and-traditions/

Prambanan Temple

Candi Prambanan is the grandest temple in Java apart from Borobudur. Located on the Prambanan plain, this sprawling temple complex sits majestically in an open area about twenty kilometers south of Mount Merapi, which dominates the horizon. The temple was constructed in the early ninth century by the Sanjaya dynasty, a flourishing Hindu kingdom that shared the island with the Buddhist Saliendra dynasty that built Borobudur. The relationship between the two dynasties is not clear, but one theory maintains that the Sanjayas constructed Candi Prambanan as a symbol of dynastic power in response to the construction of Borobudur. However, the Sanjayas do not seem to have been particularly antagonistic toward , the temple complex is located just a few hundred meters south of Candi Sewu, a once awe-inspiring marvel of Buddhist art.

Whatever their motives, the Sanjayas certainly constructed Candi Prambanan on a grand scale comparable to Borobudur. In its original form, the temple complex contained over 250 large and small temples. From afar, the temple probably resembled a small city, with a towering core of central spires surrounded by hundreds of subsidiary structures. At the center of this "city" is a square-shaped terrace surrounded by a heavy wall. Gates in the wall are oriented to the four cardinal directions, leading into a middle courtyard surrounded by a much wider wall. Within this zone were once 224 nearly identical temples, each measuring 6 x 6 x 14 meters. Beyond the middle wall was an even larger outer wall that was skewed at an angle to the inner walls. No traces of this wall remain, though parts of it existed as late as the 19th century.

Sumber : http://www.orientalarchitecture.com/indonesia/yogyakarta/prambanan.php